nettime's_digestive_system on Sat, 4 Dec 1999 16:14:18 +0100 (CET) |
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<nettime> Matrix digest [wark, anticopyright] |
McKenzie Wark Re: The Matrix: Theorized but Unseen anticopyright@britannica.com two sides of context - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Date: Sat, 4 Dec 1999 21:15:10 +1100 (EST) From: McKenzie Wark <mwark@laurel.ocs.mq.edu.au> Subject: Re: <nettime> The Matrix: Theorized but Unseen Peter, this strikes me as what's wrong with criticism -- always complaining about what's not there. Where's the pleasure in that? Matrix is a genre film, so of course it replicates the familiar surfaces of the genre. That's the whole point. Film fans expect the surfaces to connect to those of previous films, all the way back to Alien, Bladerunner, and so on. Of course, there's added hilarity in seeing it if you know Sydney, which both appears and doesn't appear as The Matrix itself. The producers praised Sydney as a location because of how generic and ordinary its CBD was, and the helicopter shots are careful to keep the opera house and famous 'coathanger' bridge out of sight. k __________________________________________ "We no longer have roots, we have aerials." http://www.mcs.mq.edu.au/~mwark -- McKenzie Wark - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - From: anticopyright@britannica.com Date: 3 Dec 1999 17:11:20 -0800 Subject: two sides of context to tell the truth i'm fairly superficial and i was sorta bored in large sections of the matrix.. i really only went for the special fxs, that hongkong action movie/video game feel, and of course lotsa bullets, adrenaline and breath holding. i did feel particularly remisnisent in the theatre cause some of it was shot on the apartment acroos the road from my appartment (yes dreaded po.mo architecture form the 80's), and there is a lovely space where they are in the pouring rain car scene and the hero (wots his name) is trying to decide who to believe..and someone says something like "you know where that road leads" indicating the sandstone railway bridge ..... and i laughed loudly inthe theatre at this crucial cinematic point..cause the answer is.. "to my house" context is everything. m ______________________________________________ Get free e-mail at http://www.britannica.com # distributed via <nettime>: no commercial use without permission # <nettime> is a moderated mailing list for net criticism, # collaborative text filtering and cultural politics of the nets # more info: majordomo@bbs.thing.net and "info nettime-l" in the msg body # archive: http://www.nettime.org contact: nettime@bbs.thing.net