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Table of Contents:
COSIGN 2002 cfp
Andy Clarke <andy@kinonet.com>
COSIGN 2002 and Ars Electronica
Andy Clarke <andy@kinonet.com>
Mikrokino FEST 2002 / Programme & Screening Schedule
Aleksandar Gubas <eurindie@yahoo.com>
Fwd: rally in canberra
Tracey Benson <tracey.benson@anu.edu.au>
The Uncanny: Experiments in Cyborg Culture and STELARC
"_|=?ISO-8859-1?B?r2C3LrhfuC63tK9gty64X7gut7Sv?=|_" <kazi@tao.ca>
Fwd: NIGHT VISION : For Immediate Release
"Joseph Nechvatal" <joseph_nechvatal@hotmail.com>
Mediatopia.net
"mediatopia.net" <mediatopia@adHocArts.org>
conVerge: art and science symposium at adelaide festival 2002
amanda@adelaidefestival.net.au
AGORA 2002: NEW TECHNOLOGIES IN MEDIA LITERACY
"New Tech ECTC" <newtech@ectc.gr>
FORUM AT CENTRO DE ARTE.COM, MADRID
TONGOLELE@aol.com
------------------------------
Date: Wed, 06 Feb 2002 00:22:51 +0000
From: Andy Clarke <andy@kinonet.com>
Subject: COSIGN 2002 cfp
Please distribute the following call widely.
Apologies in advance for cross-posting and multiple copies.
*****************************************************
*
* First Call For Papers
* ---------------------
*
* COSIGN 2002
*
* The 2nd International Conference on
*
* COMPUTATIONAL SEMIOTICS FOR GAMES AND NEW MEDIA
*
* Augsburg (Germany)
*
* 2nd September - 4th September, 2002
*
* http://www.kinonet.com/conferences/cosign2002/
*
******************************************************
CONFERENCE SCOPE
====================
This cross-disciplinary conference explores the ways in which semiotics (and
related theories such as structuralism and post-structuralism) can be
applied to creating and analysing computer systems. It is intended for
anyone with an interest in areas of overlap (or potential overlap) between
semiotics and computers. This would include, but is not limited to, the
following: computer scientists; HCI and AI practitioners; creators of expert
systems; digital artists; designers; critics; semioticians; narratologists;
etc.
Semiotics is the study of signs, symbols and signification, and is therefore
the study of how meaning is created, encoded and understood. Computational
semiotics is understood here to be the application of semiotic theories to
computer systems and interactive digital media. Three possible aspects of
this are:
- The way in which meaning can be created by, encoded in, or understood
by, the computer (using systems or techniques based upon semiotics).
- The way in which meaning in interactive digital media is understood by
the viewer or user (again using systems or techniques based upon
semiotics).
- The way in which semiotics can be used as the starting point for a
system for looking critically at the content of interactive digital
media.
Media that make use of the unique capabilities of digital systems are of
particular interest to this conference. These include: hypermedia; content
analysis systems (particularly those that extract higher-level meaning); the
semantic web (and similar systems); multimedia and the internet; digital
art, net art and other technology-based or technology-oriented art forms,
computer games, interactive narratives and other forms of interactive
entertainment; virtual reality systems and virtual environments.
COSIGN 2002 invites submissions in the following categories:
1. Academic Papers
2. Artworks
3. Posters
4. Technical Demonstrations
Details of the submission procedures are given below. Authors of accepted
papers will be required to prepare an electronic version for the online
conference proceedings (PDF), which will supplement the traditional printed
volume.
Information about the conference are available at the following web address:
http://www.kinonet.com/conferences/cosign2002/
The programme and online proceedings for COSIGN 2001 are available at the
following web address:
http://www.kinonet.com/conferences/cosign2001/program.html
IMPORTANT DATES AND DEADLINES
=============================
Academic Papers and Artworks
Submission date: 27th March 2002
Acceptance will be notified on or around 6th May 2002
Camera-ready copy by 10th June 2002
Posters and Technical Demonstrations
Submission date: 22nd April 2002
Acceptance will be notified on or around 21st May 2002
Camera-ready copy by 10th June 2002
SUBMISSION PROCEDURE
====================
1. ACADEMIC PAPERS
Papers are invited on any subject that explores areas of overlap (or
potential overlap) between semiotics and interactive digital media. Examples
of this include, but are not limited to, the following:
- The use of semiotics in artificial intelligence and expert systems.
- Software architectures and technologies using, based upon or inspired by
semiotic theories, systems or models.
- The use of semiotics in the creation of generative narrative systems,
interactive digital games, entertainment and artworks.
- The use of semiotics in the study and criticism of digital interactive
media.
- Narratology in games and new media.
- Semiotic-orientated HCI.
- Semiotics and Hypermedia.
Papers should demonstrate an understanding of - and engagement with - the
principles of semiotics (understood here as the study of signs) and gain
something from this engagement.
All papers must be submitted electronically (in either Postscript, Microsoft
Word, RTF or PDF format) to Frank Nack at the following address:
Frank.Nack@cwi.nl
- ------------------------------------------------------
Submission date for Academic Papers: 27th March 2002
Acceptance will be notified on or around 6th May 2002
PDF copy for the proceedings by 10th June 2002
- ------------------------------------------------------
2. ARTWORKS
In addition to academic and theoretical papers, presentations of artworks of
all forms and in all formats are invited. We are particularly interested in
digital art, net art and other technology-based or technology-oriented art
forms.
Selection of work for presentation at the conference will be based upon its
relevance to the themes of the conference, its interest in demonstrating or
exploring the potential of new media, and its challenging of perceptions,
theoretical assumptions, or understanding in any areas related to the
conference. Selection may also be constrained by practical requirements for
equipment, safety, etc.
Final decisions will be made by the Artwork Committee. Artworks will be
assessed on the basis of documentation of the work presented in the form of
an online website. The website should display the following:
- A textual description of the proposed artwork and any illustrations
- A biography of the artist(s)/author(s)
- Contact details
Please submit the URL of the website containing your proposal in an email to
Andy Clarke at the following address:
andy@kinonet.com
Those wishing to submit additional supporting material, such as videotapes,
should contact Andy Clarke to make arrangements for this. No responsibility
is taken by the COSIGN organisers for any such material, and all expenses
for its return must be met by the artist.
- -------------------------------------------------------
Submission date for Artworks: 27th March 2002
Acceptance will be notified on or around 6th May 2002
PDF copy for the proceedings by 10th June 2002
- -------------------------------------------------------
3. POSTERS
There will be an opportunity for researchers to present new work and ideas
that are not yet ready for the full presentation. Short papers will be
presented in poster format, and will be included in both the hardcopy and
electronic proceedings.
All papers must be submitted electronically (2 to 4 pages of A4 size, double
spaced, in either Postscript, Microsoft Word, RTF or PDF format) to Clive
Fencott at the following address:
P.C.Fencott@tees.ac.uk
- -------------------------------------------------------
Submission date: 22nd April 2002
Acceptance will be notified on or around 21st May 2002
PDF copy for the proceedings by 10th June 2002
- -------------------------------------------------------
4. TECHNICAL DEMONSTRATIONS
Demonstrations of relevant leading-edge work and work in progress are
invited. Submissions will be peer-reviewed to ensure quality. Demonstration
proposals must be submitted electronically (in either Postscript, Microsoft
Word, RTF or PDF format) to Craig Lindley at the following address:
craig.lindley@interactiveinstitute.se
Those wishing to submit supporting material, such as videotapes, should
contact Craig Lindley to make arrangements for this.
- -------------------------------------------------------------
Submission date for Technical Demonstrations: 22nd April 2001
Acceptance will be notified on or around 21st May 2001
PDF copy for the proceedings by 10th June 2002
- -------------------------------------------------------------
ALTERNATIVE SUBMISSION PROCEDURE
================================
Authors and artists who have difficulty in making their submission in the
appropriate form (as outlined above) should contact:
Frank Nack
CWI - INS2
Kruislaan 413
P.O. Box 94079,
NL-1090 GB Amsterdam
Email: Frank.Nack@cwi.nl
Phone: +31 20 592 4223
Fax: +31 20 592 4312
ORGANISING COMMITTEE
====================
Elisabeth Andre - University of Augsburg (Germany)
Andy Clarke - Kinonet (UK)
Clive Fencott - University of Teeside (UK)
Craig Lindley - Interactive Institute (Sweden)
Grethe Mitchell - University of East London and Kinonet (UK)
Frank Nack - CWI (Netherlands)
PROGRAMME COMMITTEE
===================
Elisabeth Andre - University of Augsburg (Germany)
Wilton Azevedo - Mackenzie Presbyterian University, São Paulo, (Brazil)
Paul Brna - Leeds University (UK)
Kevin Brooks - Motorola Human Interface Labs (USA)
Andrew Clarke - Kinonet (UK)
Clive Fencott - University of Teeside (UK)
Mathias Fuchs - Sibelius Academy, Helsinki (Finland)
Werner Kriechbaum - IBM (Germany)
James Lester - North Carolina University (USA)
Craig Lindley - Interactive Institute (Sweden)
Grethe Mitchell - University of East London and Kinonet (UK)
Frank Nack - CWI (Netherlands)
Mirko Petric -University of Split (Croatia)
Paolo Petta - OFAI (Austria)
Doug Rosenberg - University of Wisconsin-Madison (USA)
Ola Stockfelt - University of Goteborg/University of Skovde (Sweden)
Robert Wechsler - Palindrome Inter-media Performance Group (Germany)
ARTWORK COMMITTEE
=================
Jorge Luiz Antonio - Pontifical Catholic University of Sao Paulo (Brazil)
Andrew Clarke - Kinonet (UK)
Silvia Eckermann - Digital Artist (Austria)
Fatima Lasay - University of the Philippines (Philippines)
Luca Marchetti - Anomos (France)
Grethe Mitchell - University of East London and Kinonet (UK)
Timothy Portlock - University of Illinois (USA)
Emma Posey - Bloc (UK)
David Rokeby - Digital Artist (Canada)
Doug Rosenberg - University of Wisconsin-Madison (USA)
************************************************
- ----------
end of cfp
------------------------------
Date: Thu, 07 Feb 2002 09:32:03 +0000
From: Andy Clarke <andy@kinonet.com>
Subject: COSIGN 2002 and Ars Electronica
As with last year, the date and location of COSIGN 2002 have been set so
that they fit in with those of Ars Electronica. This is to make it easy of
artists to attend or exhibit at both.
COSIGN 2002 is 2nd - 4th September and takes place in Augsburg, Germany. Ars
Electronica is 7th - 12th September and takes place in Linz, Austria.
The COSIGN 2002 cfp is at
http://www.kinonet.com/conferences/cosign2002/
------------------------------
Date: Fri, 8 Feb 2002 02:44:30 -0800 (PST)
From: Aleksandar Gubas <eurindie@yahoo.com>
Subject: Mikrokino FEST 2002 / Programme & Screening Schedule
Mikrokino FEST 2002
The International Festival of Short Film, 2nd edition
Student Cultural Center, Belgrade / Serbia / Yugoslavia
22-26th of February at 20:00 h
Program at:
http://www.lowfivideo.com/mikrokino
Additional info at
mailto: mikrokino@yahoo.com
low-fi video greetings...
__________________________________________________
Do You Yahoo!?
Send FREE Valentine eCards with Yahoo! Greetings!
http://greetings.yahoo.com
------------------------------
Date: Sat, 09 Feb 2002 11:57:45 +1100
From: Tracey Benson <tracey.benson@anu.edu.au>
Subject: Fwd: rally in canberra
>Hi everyone
>
>We're all getting very excited about our FREE THE REFUGEES RALLY at
>Parliament
>House, next Tuesday 12 Feb at 12.30pm. We are expecting perhaps 2000
>people to
>come from Canberra, and from all over Australia; and perhaps more. This
>will be
>an historic protest; but it will only be listened to if it is big and
>determined enough. This email will outline some practical things about the
>rally.
>
>But first, I think we all know how important it is that Carmen Lawrence has
>agreed to speak at our rally. We all know too that Simon Crean has said
>that no-
>one in the shadow cabinet spoke against mandatory detention (Carmen was
>not at
>the meeting). We believe that on Monday there will be an attempt to muzzle
>shadow ministers and possibly MPs too.
> It is therefore of the utmost importance for supporters of refugees
> to send
>messages to Carmen Lawrence congratulating her on her stand. It is important
>for us also to support the public stand taken by Duncan Kerr and Tanya
>Plibersek. It's a pity more don't speak out. We need to ask Carmen
>Lawrence and
>the others to keep speaking out despite pressures from the party leadership.
>Carmen's email is: Carmen.Lawrence.MP@aph.gov.au; please CC your messages to
>S.Crean.MP@aph.gov.au, Julia.Gillard.MP@aph.gov.au,
>Duncan.Kerr.MP@aph.gov.au,
>Jenny.Macklin.MP@aph.gov.au, Tanya.Plibersek.MP@aph.gov.au. I find it utterly
>shocking that a Labor Party shadow cabinet can have no opponents of mandatory
>detention. It shows how utterly unrepresentative they are of the opinions of
>their members, and how utterly out of touch.
>
>Now down to business.
>
>1. We need people to help with a final leafleting push this weekend and
>Monday.
>We will be leafleting:
>Woden Woollies, 10am Saturday
>Dickson Woolies, 10am Saturday
>Belconnen Westfied, at the end of the red bridge near Lathlain St, 10am
>Saturday
>Civic Garema Place, 10.30am Saturday and Sunday from 12.00
>Tuggeranong Hyperdome, Anketell St entrance near Reed St, Saturday 10am
>Kingston Old Bus Depot Market, Sunday, from 10-4
>Jamison shopping centre Trash and Treasure, from 6am (really!!)
>and then
>MONDAY MORNING: leaflet Civic: meet Garema Place 7.30am
>If you can help, just turn up.
>
>2. Getting to Parliament House
>There is car parking at Parliament House, but it may fill up.
>Excess parking will be available near Old PH, East and West Block car-parks;
>it's then a 5 minute walk up to PH.
>On the Woden side of PH there is also parking available.
>There will be no parking in Federation Mall, nor in the car parks to the side
>of it.
>
>We are attempting to organise a BUS SHUTTLE SERVICE from Civic to make it
>easier for people to attend; if we succeed, details will be on the RAC
>website:
>www.refugeeaction.org from Monday am.
>
>3. Activities
>The protest is not just a rally; there will be a freedom embassy and protest
>activities all morning.
> We will be handing PETITIONS in to the politicians. I am attaching a
> copy
>of our latest petition; please see if you can get any signatures to it,
>and if
>so, bring it along. We want to swamp them with petitions.
> We also need PHONE CARDS for asylum seekers in detention. Please buy the
>ones which have a 1800 number to call, and a PIN. We can then ring asylum
>seekers in Woomera, etc and give them the details, without a physical phone
>card needing to get through ACM security. Apart from their freedom, this
>is the
>thing asylum seekers have told us they most need and want. We will have
>buckets
>collecting them at the rally.
>
>4. Facilities
>There will be toilets near the stairs that lead down into the PH carpark.
>We will provide some food and water; but please bring what you need.
>Please bring sunscreen and hats.
>
>5. Things WE need for the protest:
>* Beach umbrellas and fixed garden umbrellas;
>* Beach shade-shelters;
>* Rubbish bins
>* Card tables.
>If you can help, please make sure that everything has your name on it; and
>that
>we have your address.
>We need these things by Monday evening; we will pick them up or you can drop
>them off to us. Please ring 0415 752 012 to organise.
>
>We also need PEOPLE to help. We will need people from 8am or whenever you can
>get there; but we will also need at least 10 people at around 11.45 to help
>with the proposed bus shuttle. Just come to the mike and see Phil
>Griffiths. We
>also need people to collect phone cards, get people's names on contact
>sheets,
>collect money (we have spent more than $4000 organising this rally...) sell
>badges and bumper stickers, etc etc.
>
>If anyone can help with painting banners, or other jobs over the weekend,
>please ring Claire on 6288 0535.
>
>All other details to do with the rally will be posted on our website.
>
>We have an historic opportunity to shift the debate about asylum seekers back
>towards humanitarian solutions. Let's make the most of it.
>
>All the best
>
>Phil Griffiths
>Refugee Action Committee (Canberra)
>tel 0415 752 012
>LPO Box A287 ANU ACT 2601
>www.refugeeaction.org
------------------------------
Date: Sat, 09 Feb 2002 14:19:08 -0800
From: "_|=?ISO-8859-1?B?r2C3LrhfuC63tK9gty64X7gut7Sv?=|_" <kazi@tao.ca>
Subject: The Uncanny: Experiments in Cyborg Culture and STELARC
hoi,
greetings from out west in Vancouver.
kevin.
- -------------------------
Pacific Art and Technology Alliance Series:
Zombies & Cyborgs
STELARC
Monday, February 11, 2002 at 8 PM
at Western Front
303 E. 8th Avenue, Vancouver
$8 members / $10 non-members
http://www.front.bc.ca/details.p?record=1275
STELARC
http://www.stelarc.va.com.au/
- -------------------------
The Uncanny: Experiments
in Cyborg Culture
Opens February 9, 2002
at Vancouver Art Gallery
750 Hornby Street, Vancouver
Adults $11.00
Runs until May 26
http://www.vanartgallery.bc.ca/
Today we see the cyborg everywhere around us - Arnold Schwarzenegger's
Terminator, Star Trek's Borg, William Gibson's cyberpunks and Nintendo's
GameBoy. The Uncanny is a wide-ranging exhibition that explores historical
and contemporary representation of the cybernetic body - the combination of
human and machine - in the visual arts and popular culture.
The exhibition proceeds from the premise that the image of the cyborg has
traditionally provided our culture with a visual metaphor for the anxiety
that accompanied the growing presence of the machine in western culture.
Modern culture¹s representation of the cyborg shuttles between a celebratory
fascination with the machine and an intense anxiety around masculinity and
mechanical equipment.
Key historical works will include a 19th century automaton, 19th century
scientific photography and early 20th artworks by Marcel Duchamp, Pablo
Picasso, Fernand Léger and Francis Picabia. The exhibition will also include
contemporary works by Tony Oursler, Moriko Mori, Gary Hill, Takashi
Murakami, Lee Bul, Survival Research Lab and many more. Both the historical
and contemporary sections of the exhibition will be supplemented with
popular cultural representations of the cyborg ranging from 19th century
illustrations and prints to contemporary film and Japanese anime,
literature, comic books and illustrations.
Tony Oursler
http://oursler.net/
Moriko Mori
http://www.wdirewolff.com/Mariko.htm
Gary Hill
http://www.pixcentrix.co.uk/pomo/video/hill.htm
Takashi Murakami
http://www.kaikaikiki.co.jp/
Lee Bul
http://www.leebul.com/
Survival Research Laboratories
Producing the most dangerous shows on earth
http://www.srl.org/
- ---------------------
not much left and I'm not getting over to Victoria, but...
Victoria Independent Film & Video Festival
February 1-10, 2002
http://www.vifvf.com/
==============================================================
"World War III will be a guerrilla information war,
with no division between military and civilian participation."
- -Marshall Mcluhan
==============================================================
------------------------------
Date: Sun, 10 Feb 2002 14:11:58 +0000
From: "Joseph Nechvatal" <joseph_nechvatal@hotmail.com>
Subject: Fwd: NIGHT VISION : For Immediate Release
This is a multi-part message in MIME format.
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>From: joy garnett <joyeria@walrus.com>
>To: 0101 <joyeria@walrus.com@walrus.com>
>Subject: NIGHT VISION : For Immediate Release
>Date: Sat, 09 Feb 2002 11:23:37 -0500
>
>
>
>FOR IMMEDIATE RELEASE | February 9, 2002
>
>
>
>NIGHT VISION
>an exhibition curated by Joy Garnett
>
>
>participating artists:
>Jordan Crandall | Christoph Draeger | Joy Garnett |
>Adam Hurwitz | Bill Jones + Ben Neill | John Klima |
>Joseph Nechvatal | Jonathan Podwil | Radical Software Group
>
>online at:
>http://www.geocities.com/firstpulseproj/NightVision.html
>
>opens February 26, 2002:
>
> University Galleries
> Illinois State University, Normal, Illinois
> February 26 - April 3, 2002
>
>travels to:
>
> White Columns, New York City
> June 14 - July 21, 2002
>
>
> g-module, Paris, France
> April/May 2003
>
>
>NIGHT VISION takes it's title from the high-tech optical apparatus used
>in nocturnal military operations, whose green glow has become
>increasingly familiar since CNN's televised transmission of the Persian
>Gulf War one decade ago. The strategic advantage afforded by
>technologies that can penetrate the night provides the central metaphor
>for this exhibition. "Metaphors infiltrate real living," states the
>catalogue text; likewise, the works in NIGHT VISION may shift some light
>toward the murky implications surrounding this theme.
>
>"The camera introduces us to unconscious optics as does psychoanalysis
>to unconscious impulses," wrote Walter Benjamin in a famous analysis. In
>NIGHT VISION, the symbolic lens refers to actual technologies co-opted
>by the artists experimentally, as well as documentary sources or
>subjects used for reflection and analysis.
>
>NIGHT VISION showcases work by artists and art collaboratives based in
>New York and in Brooklyn. Employing a variety of media, these artists
>are deeply influenced by ongoing developments in technology: the science
>of optics in the service of both military and social objectives, and
>networks as extensions of intelligence and creativity, or as portals for
>infiltration, surveillance and infection.
>
>CATALOGUE AVAILABLE
>A full-color 16-page catalogue with an essay by Tim Griffin accompanies
>the exhibition. Published by First Pulse Projects, Inc., New York, it is
>now available on Amazon.com, as well as in the galleries, and directly
>from the publisher: For information contact:
>catalogue@firstpulseprojects.org
>
>ABOUT THE AUTHOR
>Tim Griffin is an art critic, curator, poet and writer. He is the
>current Art Editor of Time Out New York, and former editor of ArtByte:
>The Magazine of Digital Culture. He most recently curated the group
>exhibition "Compression" at Feigen Contemporary, New York, an exhibition
>of contemporary works dealing with new formal treatments of space. He
>co-curated the exhibition "The Production of Production" at Apex Art,
>NYC. Mr. Griffin has written extensively on new media art and culture,
>and his articles have appeared in various journals including Art in
>America and art/text. His poetry has appeared in PURPLE, LINGO,
>EXPLOSIVE, KIOSK, and in HAT & FENCE. His book Contamination, produced
>by Peter Halley, is forthcoming from Gabrius in May, 2002; July In
>Stereo appears this summer from Shark Press.
>
>
>ABOUT THE CURATOR
>Joy Garnett is an artist and co-founder of First Pulse Projects, Inc.,
>an art/science publishing collaborative:
>http://www.firstpulseprojects.org. She lives in New York City.
>
>
>
>Works by NIGHT VISION artists appear by courtesy of their galleries as
>follows:
>
>Jordan Crandall courtesy HENRY URBACH ARCHITECTURE, NYC
>Christoph Draeger courtesy ROEBLING HALL, Brooklyn, NY
>Joy Garnett courtesy DEBS & CO., NYC
>Bill Jones + Ben Neill courtesy SANDRA GERING GALLERY, NYC
>John Klima courtesy POSTMASTERS GALLERY, NYC
>Joseph Nechvatal courtesy JULIA FRIEDMAN GALLERY, Chicago, and UNIVERSAL
>CONCEPTS UNLIMITED, NYC
>
>
>
>SPECIAL THANKS to University Galleries (Illinois State U.), White
>Columns, g-module, Debs & Co., Roebling Hall, and Julia Friedman
>Gallery.
>
>...
>
>
Joseph Nechvatal
email: joseph_nechvatal@hotmail.com
home page: http://www.nechvatal.net
home: 143 Ludlow Street (14) New York, NY 10002 USA & 114, Rue de Vaugirard
75006 Paris FRANCE
~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*
_________________________________________________________________
Join the world’s largest e-mail service with MSN Hotmail.
http://www.hotmail.com
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Date: Sun, 10 Feb 2002 14:58:50 -0800
From: "mediatopia.net" <mediatopia@adHocArts.org>
Subject: Mediatopia.net
- --Boundary_(ID_oBZFdNVZiNnXrEFZN9BNpQ)
x-mac-creator=4D4F5353
Hello,
I am not sure if I am sending this to the right address, but I would
like this posted on Nettime.org.
Thanks,
Andrew
CALL FOR WORK
Mediatopia: Networked Technology for the Creative and Critical
An on-line exhibition and symposium
http://www.mediatopia.net
Sparking and pulsing somewhere across the mediascape, freshly formed
from the collision and convergence of newer media arts, is Mediatopia.
Amongst the flowering of net art and exhibitions comes the writing of
books and papers, the creation of histories, the symposia, the
proliferation of departments and faculty positions, and the acquisition
of new media by museums and institutions. Looming in the wake of our
new-born fascination with digital methodologies comes a pixelated plane
filled with broken links and obsolete plug-ins. What have we projected
upon this technological dream? When we wake, do we come to an
experience charged with politics, technological decay, and obscurity of
medium and presentation? Questions of power, position, and perception
arise in this dystopian meltdown. Who has access to these
technologies? Who is the expert or authority? Who defines this media
work and how? How do we preserve it? What are the formats and
conventions? What is the relationship between the individual and the
institution? Can we differentiate between creative workers for capital
and comrades in the Arts? Is there a safe site for play, pleasure, and
the artistic practice, and what is it's URL?
Mediatopia, overarching like a giant sci-fi plastic bubble, signifies
our desire to draw together all these disparate experiences and ideas
under the cozy warmth of the mother ship. Creatives, technicians and
critical theorists are fascinated by these digital means. The
residuals in this process creep into the canon of practice and are used
to define and construct an electronic world and a flesh filled one.
Therefore we ask questions and we manipulate information. Join us in
this process. We seek submissions of media art and digital critique.
Seeking---> Net Art & Critical Writing
Deadline for art or written work---> MAY 1st, 2002
Submit--->
1) Critical Writing- Please submit relevant critical writing for
inclusion on the Mediatopia web destination.
2) Net Art- Please submit recent work that utilizes or references net
technology.
Submission Requirements--->
Please go to- http://www.mediatopia.net
For more information contact--->
mediatopia@adhocarts.org
Curated by Lara Bank and Andrew Bucksbarg for adHocArts.org
Sample Topics for Net Art or Critical Writing--->
- - "All Those Awful Sites!" Amateurism, Democracy, and the Web
- - Artificial Intelligence- The Faux Brain
- - Big Business and the Little Guy- The Corporatization of the Net
- - The Boys Club of Technology, Join Today!
- - Capitalism vs. Dissemination
- - Collaborative Projects
- - Constructed Histories- "He Said, She said"
- - Convergent Bodies and the Institutional Brain
- - Corporate Fiction, Labor Realities
- - Cyburbanism
- - Convention and Standardization
- - E-femi-Net
- - Evolution? Broken Links and Other Failures
- - Hacktivism, Piracy and Subversive Networks
- - Homomedia
- - Hypermedia
- - Internet Wilderness
- - "It Looks Good Above the Sofa!" The Commodification of Net Art
- - Limitations of Proprietary Technology
- - The Linguistics of Juxtaposition (Sampling)
- - The Mediabrain and Neural Networks
- - New Economy, New War, New Media and Everything New
- - Net Art in The Mobile Home Court
- - Netware
- - Network Surveillance
- - Net Tech for the Impaired
- - P2P 4 U
- - Pixel-Pushers and Button Monkeys: Limitations of the Mouse Realm
- - Primitive Media/Old media/Future Media/Media Media
- - Special Effects for the Poverty Stricken, More With Less
- - Technological Decay, Preserving the Future
- - What Are People Saying: Creative Design/Artistic Process
- - Whatever Happened to Baby V.R.?
- - The Web, the Net, Visual Aids: The Metaphors We Live By
- --Boundary_(ID_oBZFdNVZiNnXrEFZN9BNpQ)
------------------------------
Date: Mon, 11 Feb 2002 10:47:48 +0930
From: amanda@adelaidefestival.net.au
Subject: conVerge: art and science symposium at adelaide festival 2002
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3/ 4 March, 2002
A Symposium as part of Adelaide Festival 2002
Register online: http://www.adelaidefestival.org.au/2002/bookticket.asp?ID=29
***conVerge***
To coincide with the exhibition 2002 Adelaide Biennial of Australian Art -
conVerge: where are and science meet - the Adelaide Festival 2002 will convene
a two-day symposium exploring relationships between the arts and sciences in the
context of sustainable futures.
Many artists currently exploring scientific, technological and cultural
developments of the 21st Century are engaged in a critical debate. This is a
discourse suffused and indeed inspired by complex sociological and political
issues and these creative disciplines, areas of cultural practice often
understood to be at odds with one another, must engage if we are to understand
our future and the roles of creative individuals within it.
This symposium has been developed to complement the 2002 Adelaide Biennial of
Australian Art, an exhibition of work by Australian artists exploring these
areas of debate to be staged by the Art Gallery of South Australia during the
Adelaide Festival 2002. The intention of the symposium is to broaden dialogue,
generate ideas and raise awareness of the contributions both artists and
scientists can make to the larger challenges of our time.
Nationally and internationally significant artists, scientists and thinkers will
come together to create an open site for audiences to engage with this debate -
to become participants in the development of ideas rather than a merely passive
audience. The symposium will encompass presentations, performances, workshops
and panel discussions.
The project will provide a research environment, as it were, where the public
may see, experience and contribute to a range of ideas and media at play.
'Both scientists and artists have a special gift for us, if they can only bring
themselves to share it. Both groups live always at the 'edge of mystery'- the
boundary of the unknown'
Robert Oppenheimer
Who should attend?
Science communicators
Scientists
Research and Development practitioners
Artists
Representatives of local, state and federal governments
Politicians and public administrators
Academics
Community workers
Private and public sector
What you'll take away from the Symposium?
Challenging ideas from different vantage-points, imaginative encounters across
disciplinary barriers, interconnecting different disciplines and life-worlds.
SUNDAY 3 MARCH
**Partnerships**
Australian artists engaging with science practices, issues and themes within a
variety of environments have created collaborations with individual scientists,
science research organisations and industry.
In turn, "'big science' is turning to human creativity for help. Major research
bodies such as CSIRO and those within corporations such as Xerox are calling in
artists to work collaboratively with their scientists in pushing back boundaries
of technological development." (Quiddington).
What happens at the points of intersection between these two various
disciplines? How might this contribute to the development of an expanded and
more supple creativity in social development? What are some of the issues
inhibiting cross-disciplinary exchange?
**Bioeconomics**
As we enter the 21st Century, key issues that face our economy that confront
economic development are shifting away from those of the late-Industrial Age
towards an era in which life-sciences and biotechnology are fashioning a
bio-industrial world. Public awareness and broad-ranging debate on the
implications of these trends are crucial to any realisation of the promised
benefits of biotechnology.
**Genomics**
Management of genetic information is a key issue currently facing human society.
Recombinant genetics is one of the most dramatic technological developments/new
phenomena to date in the area of biotechnology. New techniques for identifying
and manipulating genes are the first strand in what Jeremy Rifkin describes as
'the new operational matrix of the Biotech Century'. While the motivation behind
genetic engineering is age-old, the technology itself represents something
qualitatively new. To understand why this is the case, we must appreciate the
distinction between traditional tinkering with biological organisms and the
mutational potential of current genetic engineering.
MONDAY 4 MARCH
**Image and Meaning**
This session will explore concepts of scientific visualisation and
representation, the ever more complex relationships between different semantic
systems (collusions and collisions of meaning between images, signs, texts), the
use of scientific language, science communication, graphical representation of
numerical data inter alia.
**Knowledge Systems**
Is science universal? Value the contribution of other cultures and
philosophical models towards this body of knowledge we call science towards the
instrumental ordering of our collective
knowledge about the world and nature's functioning. Examine interconnected
relationships between people, species, natural systems and culture as a means of
understanding our world. Does science define itself or is it socially contingent
and culturally embedded. Who own this scientific truth[s]?
**Ecology**
In order to explore sustainable futures, artists and scientists alike are
turning to the environment and the impact that we have had on nature and the
world around us. Understanding our dependency upon the world in which is key to
how we relate to our environment and how we preserve its diversity.
**Plenary session**
Speakers So Far
International
Critical Art Ensemble, a collective of artists of various specialisation
dedicated to exploring the intersections between art, technology, radical
politics and critical theory, USA
Adam Zaretsky, artists and professor of Conceptual and Information Arts, San
Francisco State University, currently Honorary Researcher in the School of
Anatomy and Human Biology, University of Western Australia. USA
Nina Czegledy, independent media artist, curator and writer, who divides her
time between Canada and Europe. She is also President of ISEA (International
Society for Electronic Arts) (Nina's visit is supported by the Australian
Network for Art and Technology)
Ren
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=E9 Boutin, visual artist, who has appeared in various international ar=
t
exhibitions, from the Noum=E9a Biennial to the Asia-Pacific Triennial i=
n
Queensland, and elsewhere, New Caledonia
Rich Gold, artist, composer, inventor, cartoonist, designer, lecturer a=
nd
engineer. Until recently, primary researcher, Ubiquitous Computing at =
Xerox
PARC, where he also designed the PARC
artist-in-residence program (PAIR). He currently manages 'The RED Shift=
' a
design group that uses technology to make stuff for people to enjoy. US=
A
Jill Scott, media artist , focus-the body and technology. Phd in Philos=
ophy
(Digital Body Automata), currently Professor for interactive media, Med=
ia
Faculty, Bauhaus University,
Weimar, Germany De/Aus
Australia
Ian Lowe, Emeritus Professor of Science, Technology and Society at Grif=
fith
University, Qld
Martin Walch, artist, Tas
Catts/ Zurr, Oron Catts - co-founder and manager of SymbioticA -The Art=
&
Science Collaborative Research Laboratory, School of Anatomy & Human Bi=
ology,
University of Western Australia. Initiated The Tissue Culture & Art Pro=
ject in
1996. Ionat Zurr - artist /PhD candidate, SymbioticA and Tissue Culture=
& Art
Project. artists, WA
Dr Richard Stanford, artist, NSW
Craig Cormick, Communications and Public Awareness, Biotech Australia (=
DISR),
ACT
David Malin, astronomer, Anglo-Australian Observatory/Adjunct Professor=
of
Scientific Photography at Royal Melbourne Institute of Technology (RMIT=
), NSW
Jason Hampton, Gurindji / Ngalakarn, artist, NT
Joyce Hinterding, artist, NSW
Fiona Hall, artist, SA
John Tonkin, artist, NSW
Patricia Piccinini, artist, Vic
Michele Barker, artist and lecturer in Digital Media at the College of =
Fine
Arts, University of New South Wales, NSW
Dr Judy Ford, GLOW, Environmental and Genetic Solutions, SA
Christine Morris, Kombumerri / Mununjalhai, Adjunct Research Fellow, Gr=
iffith
University, Qld
Justine Cooper, artist, NSW/ New York
Kevin O'Loughlin, Narrunga, cultural teacher, SA
Jenny Fraser, Bundjalung, artist, curator, filmmaker and educator, Qld
Mangkaja Artists, WA
Peter Danaja, Burrara, artist/ cultural worker, NT
Margaret Sellars, Wik, Munghan/Kanju, artist, Qld
Dr Paula Dawson, artist / holographer, NSW. (Paula's presentation is su=
pported
by the Australian Research Council)
Rebecca Cummins, artist, NSW & Seattle
Dr Nigel Helyer, artist, NSW
Dr Terry Cutler, Director, Cutler & Co, Chair, Australia Council, Vic
Sue Rowley, Australian Research Council, Vic
Richard Stanford, artist, NSW
for updates check out
http://www.adelaidefestival.org.au/2002/event.asp?ID=3D29&catid=3D13
or look at http://www.adelaidebiennial.com for full details of the exhi=
bition,
symposium and archive.
Where and When
Sunday 3 March 11.00am to 7.30pm
Monday 4 March 9.00am to 6.30pm
Masonic Hall
North Terrace, Adelaide
Cost
Symposium Registration $200
One Day Registration $120
Festival Friends - Registration $170
Festival Friends - One Day $105
Discounted* Registration $90
Discounted* One Day Registration $60
(*students, unwaged, pensioners-limited seats available)
Register online at:
http://www.adelaidefestival.org.au/2002/bookticket.asp?ID=3D29
This project has been realised in collaboration with the Art Gallery of=
South
Australia to coincide with the 2002 Adelaide Biennial of Australian Art=
-
conVerge: where art and science meet <http://www.adelaidebiennial.com>
The project has been assisted by the Commonwealth Government through th=
e
Australia Council <http://www.ozco.gov.au>, its arts funding and adviso=
ry body'
The Biennial web site has been developed with support from Virtual Arti=
sts <
http://www.va.com.au>. The conVerge archive has been developed in coll=
aboration
with the Australian Network for Art and Technology <http://www.anat.org=
.au>.
The working group that has developed this project comprises: Linda Coop=
er,
Project Coordinator; Jenny Fraser; Victoria Lynn; Amanda McDonald Crowl=
ey; Karl
Telfer; Sarah Thomas; Lynette Wallworth; Angharad Wynne-Jones. Advisors=
to the
working group were Peter Sellars and Ron Radford.
Amanda McDonald Crowley
Associate Director 2002
Adelaide Festival of Arts
105 Hindley Street Adelaide
PO Box 8116 Station Arcade Adelaide SA 5000
Australia
Mob: 0419 829 313
Tel: 61 8 8216 4444
Fax: 61 8 8216 4455
www.adelaidefestival.org.au
=
- --0__=ORKv91rkmrR1QHu3gcRnssnS4uYzdTz4Eu9NR5jVKtmBLc1q4n71jHy3--
------------------------------
Date: Wed, 6 Feb 2002 12:45:55 +0200
From: "New Tech ECTC" <newtech@ectc.gr>
Subject: AGORA 2002: NEW TECHNOLOGIES IN MEDIA LITERACY
This is a multi-part message in MIME format.
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from ALAS, Athens-based organization of digital culture
and Athens Digital Arts Festival "e-phos"
new tel: 003010-7520064-5
fax: 003010-7520064
www.filmart.gr
this might interest many of you
"Annual Mediterranean Regional Summit AGORA 2002" - Athens, Greece =
15-18
June
Supervised by the Hellenic Audiovisual Institute
Produced by European Childrens' Television Center www.3rd-ws.org
Organized by Childrens' Media Development
Focused on New Technologies in Media Literacy, AGORA 2002 aims to bring
together some of the most prolific researchers, producers and innovators
from the overlapping fields of ICT and education, while providing unique
opportunities for synergies and investements in the fast developing
marketplace of the Mediterranean basin.
Enclosed find a synopsis of AGORA 2002 program, as well as info for
participation.
PROGRAM:
AGORA 2002 kicks off the 15th of June with the MED=C9=D4=C5RRANEAN YOUTH =
AND MEDIA
OBSERVATORY one day conference. Members and partners of the MedObs'
international network aim to influence the policies related to Youth and
Media and to open to the Mediterranean basin new cooperations schemes on
this field with the rest of the world.
For more info on the MED OBSERVATORY and how to participate please =
contact
the MedOb coordinator and head of the steering committee, Mr. Rodolfos
Maslias medobs@ectc.gr .
In the following day, June the 16th, in collaboration with Italian =
RAISAT
Ragazzi, AGORA will host the CHILDRENS' CHANNELS FORUM. Thematic =
channels
for children from different countries all over the world will compare =
their
experiences and cooperate in order to create a real and useful network =
to
exchange products, projects and ideas. The forum will be complemented by =
the
workshop MONITORING EXPERIENCES ON TV PROGRAMS FOR CHILDREN in an =
attempt to
underline the necessities of both the researchers and the Media =
Operators.
For more info contact the TV Coordinator, Mrs. Vasso Kanellopoulou
tv@ectc.gr .
NEW TECHNOLOGIES IN MEDIA LITERACY will be the thematic axis of the =
sessions
scheduled for the third day, 17th of June. This part-conference,
part-hands-on-lab will bring together electronic media producers and
e-content programmers, researchers, digital artists, media tutors, media
education designers, psychologists and children; anyone who is involved =
in
the making of a school for the future.
For more info on the NEW TECHNOLOGIES IN MEDIA LITERACY and how to
participate contact Mr. Yianni Skourogianni newtech@ectc.gr
Another ECTC initiative that will be presented for illumination the 17th =
of
June in AGORA, is the MEDIA SUMMER SCHOOL. Conceived as a summer =
training
camp where old and new will meet, analogue and digital will infuse, the
first Mediterranean school for children has been programmed to open its
doors in 2004, at the village of Giffoni, Southern Italy. AGORA will =
host
the first of a series of preparatory workshops where new concepts, =
ideas,
desings and applications on interactive media education will be debated, =
and
discussed. For more info contact Mr. George Christakeas, mss@ectc.gr
The last day of AGORA, 18th of June, is dedicated to Collaboration =
Networks.
On of the initiatives that will be presented and discussed.is the WORLD
SPORTS EXPO FOR YOUTH 2004 project. WSE is a global exhibition to be
organized in Athens in July and August 2004. The exhibition is to =
feature
visual, audiovisual and web-based creations addressed to children as =
well as
art creations produced by children. It will carry out an indicative
mapping of the international situation and a wide-ranging and detailed
presentation of global realities at an historic moment when the Olympic
Games are returning to their birthplace.
For more info on WORLD SPORTS EXPO FOR YOUTH 2004 and how to participate
please contact Mrs. Eugenia Liroudia wse@ectc.gr .
For info on stand booking regulations at the AGORA market you may =
contact
management@ectc.gr .
- ------=_NextPart_000_0227_01C1AF0C.379D2B40
------------------------------
Date: Thu, 7 Feb 2002 09:44:39 EST
From: TONGOLELE@aol.com
Subject: FORUM AT CENTRO DE ARTE.COM, MADRID
The following is a description (in Spanish ) of a series of workshops and
panel discussions about the web as a political and social space that will
take place in Madrid through Centrodearte.com from Feb. 11-14. For more
information in English, please refer to www.centrodearte.com.
Read*Write*Execute*
Un proyecto de centrodearte.com en colaboracion con Constant
Read*Write*Execute*, numero 2 de la revista & foro de centrodearte.com,
plantea un analisis de la web como espacio politico y social a traves de
estrategias de descentralizacion de informacion. Read*Write*Execute*
reflexiona sobre temas como copyright/left, acceso, des/centralizacion,
censura, difusion autonoma y vigilancia online, cultura del Software Libre,
e incide sobre la importancia del trabajo en red para crear un tejido
socio-cultural a traves de proyectos, ensayos, entrevistas, foros, etc.
TALLER
Del 11 al 14 de febrero de 2002 se desarrollara un taller de introduccion y
analisis de la cultura del Software Libre, cuyo objetivo es mostrar su
aplicacion y utilizacion como herramienta de trabajo a artistas,
activistas, periodistas y profesionales del mundo del arte y del
pensamiento contemporaneo.
El taller pretende servir de iniciacion a la cultura del Software Libre
(referencia a la libertad de los usuarios a utilizar, cambiar y mejorar el
software, distribuirlo y distribuir el software con las modificaciones
realizadas) a personas con una posicion politico e intelectual afin a esta,
y crear una plataforma de colaboracion, con el objetivo de suscitar una
reflexion que inspire nuevas iniciativas y propuestas.
lunes 11 de febrero de 2002, 19.00 horas
Presentacion a cargo de constant y centrodearte.com
Conferencia Richard Barbrook, Investigador de Hypermedia, Centre School of
Communications and Creative Industries, University of Westminster, Reino
Unido.
(con la colaboracion del British Council)
Martes 12 de febrero de 2002, 16 a 20.00 horas
Instalacion de GNU/ Linux, configuracion del sistema, comandos basicos.
Miercoles 13 de febrero de 2002, 16 a 20.00 horas
Descubre el Apache Webserver.
Jueves 14 de febrero de 2002, 19.00 horas
Mesa de trabajo con Daniel Garcia Andujar (artista y fundador de Irational
org), Coco Fusco (performer, escritora y profesora en Columbia University,
Nueva York), Michelle Marxuach (curadora, directora de M&M Proyectos,
Puerto Rico), Laurence Rassel (directora Constant), Fefa Vila (sociologa,
escritora, fundadora de LSD, Madrid), Maria Ines Rodriguez (curadora y
escritora) y Virginia Villaplana (artista y escritora) .
Asistencia libre: A partir de las 20h , el taller se abrira al publico
diariamente para dar a las personas interesadas la oportunidad de conocer
las lineas generales de los conceptos impartidos cada dia.
Lugar:
Oficinas de www.centrodearte.com. C/ Joaquin Maria Lopez, no 8 bis, 28015
Madrid
Para mayor informacion contactar con:
Esther Regueira eregueira@centrodearte.com
Teodora Diamantopoulos proyectos@centrodearte.com
Tef: 34-91-7015490 / 650.254.803 Fax: 34-91-7015495
www.centrodearte.com
------------------------------
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