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Table of Contents:
As a researcher /As a dancer
Yukihiko Yoshida <yukihiko@sfc.keio.ac.jp>
no_art.garanty + ilnecwhattrhee + rhino + alpha
lordjimpunk <lord@jimpunk.com>
videomail_mix.mx
fran ilich <ilich@sputnik.com.mx>
Steve Reinke | Recent Work
"SMART Project Space" <tom@smartprojectspace.net>
FREE OF CHAT
www@trashconnection.com
Interview Yourself - Latest Interviews 6/23/01
Amy Alexander <plagiari@plagiarist.org>
kick baby kick- baby play
shu lea cheang <shulea@earthlink.net>
'net-art is lame...'
Cem Gencer <cemgencer@ultratv.net>
Inserts - Dora Garcia
=?iso-8859-1?Q?Jos=E9?= Luis Brea <jlbrea@aleph-arts.org>
------------------------------
Date: Wed, 20 Jun 2001 12:57:02 +0900
From: Yukihiko Yoshida <yukihiko@sfc.keio.ac.jp>
Subject: As a researcher /As a dancer
Dear list,
I was determined my field the other day.
My fields is in the following.
== Trans-Fields Cultural Studies/ Archival Cultural Studies ==
--Database/Hypertext/Semantic Web
--WebStudies
--CyberCulture(Studies)
--MediaStudies/MediaActivism
--Art/Act
--Technology and Culuture
--Visual Cultural Studies
--Visual Studies (Jonathan Crary calls this field in this name)
--Art/Design/Architecture
--PerformanceArt
etc
--Visual Cognition and Theory
--Culture and Representation
--Body Culture Studies/SportsMedia
--Organization / Governance
--Copyright
In fact, I am a young researcher.
On the other hand,I am a dancer.
And as some of you know, I am moderating japanese interdiciplinary
dance studies mailing list.
In Japanese Academy,there is few multi-dimentional researcher (or artist.)
Then I must be black sheep of family :-)
How are you all ?
Literature is already digital.
Dance is already digital.
Cultural Studies is already digital.
Sometime,I write codes and drafts. Some traditonal professors cannot
categolize me.
I believe the topic,dance and technology, is interdiciplinary fields.
Some of you work as dancer.
Some of you work as programmer.
Some of you work as reseacher.
But most of you has multi-diciplinary is multi-dimentional.
Best Wishes from TOKYO
Yukihiko
- --Yuk;-)iko YOSHIDA
Yukihiko YOSHIDA
Artist/Systems Humanist/Generalist
Keio University,Graduate School for Media and Governance
Japanese Society for Dance Research
The moderator of Dance Mailing List:
<http://www.sfc.keio.ac.jp/~yukihiko/danceml.html>
Citizen of World
webpage: http://www.sfc.keio.ac.jp/~yukihiko/
closest fax number: <:none>
Travel Path:<none>
currnet physical location:<tokio,JPN>
PGP Key <not ready yet>
trans(c) Yukihiko Yoshida 2001
------------------------------
Date: Thu, 21 Jun 2001 17:48:44 +0200
From: lordjimpunk <lord@jimpunk.com>
Subject: no_art.garanty + ilnecwhattrhee + rhino + alpha
http://alpha.jimpunk.com
need a fast connection
screen resolution of 1024 X 768
Netscape >= 4.04 or I.E. >= 4.01
<pre>
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http://alpha.jimpunk.com
http://www.jimpunk.com/grey
http://powerbul.free.fr
screen resolution of 1024 X 768
Flash Player
Netscape >= 4.04 or I.E. >= 4.01
------------------------------
Date: Thu, 21 Jun 2001 23:17:54 -0500
From: fran ilich <ilich@sputnik.com.mx>
Subject: videomail_mix.mx
Almost a year after Fernando Llanos started e-mailing video-art on a weekly
basis, he will mix live bits of them.
Using simple interfaces (applications and shareware downloaded from the net)
he will launch previously edited loops from his videos to generate rythms
and audiovisual temporal compositions.
Its a formal exercise of rethinking, on deconstruction and recycling of his
artwork.
For more information about the videomail project, please visit:
http://www.fllanos.com
when:
friday june 22, 2001.
20-24 hrs.
where:
x'teresa arte actual.
(lic. verdad # 8, centro histórico)
mexico city
who:
sinética socorro tic auxilio tac fernando llanos dj rare conche
nos vemos en el futuro.
ilich.
editor @ large, sputnik.
http://www.sputnik.com.mx
------------------------------
Date: Fri, 22 Jun 2001 16:26:42 +0200
From: "SMART Project Space" <tom@smartprojectspace.net>
Subject: Steve Reinke | Recent Work
SMART Project Space | 1e Constantijn Huygensstraat 20, Amsterdam
requests the pleasure of your company at the screening of a program of
recent work by Steve Reinke
Saturday June 23, 22.00-24.00 hours | the artists will be in attendance
SMART Cinema: open from Tuesday through Sunday at 22.00 hours
Steve Reinke | Recent Work
I'm not going to go to the Anne Frank House - I don't think I could take
it - being a tourist is bad enough - though I'm not really a tourist - I'm
here working - my camera's the one on vacation - taking holiday sounds and
images - it's having a nice change of pace - for me it's still the same old
thing - talking and talking. I don't want to go inside the Anne Frank
House - I don't even know why they call it that - she didn't own it - as far
as I know she didn't have any real estate holdings - not in this
neighbourhood anyway, that's for sure - and I want to remember Shelly
Winters as she was in "A Place in the Sun" - I don't care about the Oscar -
I want to remember her tipping out of the boat - tippy canoe and beaver
too - falling into the lake and drowning - I don't want to remember her any
other way - except possibly her other sea-faring role, "The Poseidon
Adventure."
Incidents of Travel, 1998, 6 min
Spiritual Animal Kingdom, 1998, 24 min
Afternoon (March 22, 1999), 1999, 24 min
Sad Disco Fantasia, 2001, 24 min
Amsterdam Camera Vacation w/ Night Lecture, On Spinoza, 2001,
work-in-progress, ~12 min
Program sponsored by: Gemeente Amsterdam, Mondriaan Stichting, Mentrum,
Brand Bier, Beam Systems
SMART Project Space | www.smartprojectspace.net
Exhibition Space: 1e Constantijn Huygensstraat 20
Office: Keizersgracht 720, NL-1017 EW Amsterdam
Mail to: P.O.Box 15004, NL-1001 MA Amsterdam
Phone: +31 20 427.5951 / 427.5952
Phone/fax.: +31 20 420.6028
Email: info@smartprojectspace.net
If this e-mail was forwarded to you by way of someone other then SMART
Project Space, and you would appreciate to receive further mailings
announcing exhibitions at SMART Project Space, you can send mail to
info@smartprojectspace.net with the following command in the body of your
email message: "subscribe e-mailing SPS"
If you would want to remove yourself from this mailing list, you can send
mail to info@smartprojectspace.net with the following command in the body of
your email message: "unsubscribe e-mailing SPS"
------------------------------
Date: 22 Jun 2001 08:02:56 -0700
From: www@trashconnection.com
Subject: FREE OF CHAT
FREE OF CHAT
1)Bodies of trash and connection
2)Digital trash as the new space for research
3)Net.art, net.politics, net.democracy and net.reality
4)Net.love
http://chat.trashconnection.com
() _()_ http://www.trashconnection.com
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Get your free domain name and domain-based
e-mail from Namezero.com
New! Namezero Plus domains now available.
Find out more at: http://www.namezero.com
------------------------------
Date: Fri, 22 Jun 2001 23:24:39 -0700 (PDT)
From: Amy Alexander <plagiari@plagiarist.org>
Subject: Interview Yourself - Latest Interviews 6/23/01
http://plagiarist.org/iy
Plagiarist.org is pleased to announce the latest additions to
to the Interview Yourself Literary Archive:
Agricola de Cologne - as interviewed by Agricola de Cologne
erational - as interviewed by erational
narcissus - as interviewed by narcissus
stany genbrugge - as interviewed by stany genbrugge
europe2nantes - as interviewed by europe2nantes
vesti - as interviewed by vesti
and
wowm - as interviewed by wowm
Remember, Interviews are accepted on a rolling basis at
interview@plagiarist.org
Join the Web Celebs at Interview Yourself... Celebrity interviews just
like Warhol used to do 'em.... only cheaper.
....IY-IY-IY-IY-IY-IY...Interview Yourself Interview Yourself Interview
Yourself....
- -plagiarist
- --
plagiarist.org
Recontextualizing script-kiddyism as net-art for over 1/20 of a century.
------------------------------
Date: Sat, 23 Jun 2001 16:17:16 +0800
From: shu lea cheang <shulea@earthlink.net>
Subject: kick baby kick- baby play
- --============_-1218838253==_ma============
Content-Type: text/plain; charset="us-ascii" ; format="flowed"
FOR IMMEDIATE RELEASE, June 22, 2001
"Baby Play" premiers at NTT/InterCommunication Center [ICC], Tokyo
A new Net installation by Shu Lea Cheang
June 22-July 29, 2001
For more information about "Baby Play," please visit: http://www.ntticc.or.jp
To participate in "Baby Play," please visit: http://babyplay.ntticc.or.jp
"Baby Play" interlinks a large-scale foosball field ("Baby Play" is derived
from the French name for foosball, "baby foot") with the Net as a ME-motion
(memory-emotion) playing field. "Baby Play" is installation 1.0 of
Cheang's "Locker Baby" project (2001-2002), which features three Net
installations based on a fictional scenario set in the year 2030. Produced
by the Dolly Polly Transgency (DPT) with genes extracted from deep sea
pearls, the clone generation of Locker Babies are born out of Tokyo coin
lockers and entrusted to retrieve our collective deposits of ME-motion data
on the Net.
"Baby Play" is comprised of an immense foosball playing field (15m x 7.5m),
22 inflatable designer locker babies (140cm in height), 8 playing rods (5m
in length), a large-scale projection and a "Baby Play" website. As local
gallery participants engage in a game of foosball, the image of the ball
bouncing in the actual playing field is sent to the ME-motion virtual field
on the Net. The movement of the ball in the actual playing field is
tracked by 36 touch sensors and sent to the "Baby Play" website where the
virtual moving ball retrieves sound and text files as ME-motion data. The
public is invited to utilize the 36 virtual lockers for data deposit and to
play ball on the Net.
Cheang, whose work netlinks physical and online spaces, has exhibited
at Walker Art Center (Bowling Alley 1995), ICC Biennal (Buy One Get One, 1997)
and created the Guggenheim Museum's first web based art project, entitled
"Brandon." (1998-1999). Baby Play marks her return to large scale net
installation
after the release of her cyberporn feature film, "I.K.U." (2000).
A set of 36 essential sound data based on Ryu Murakami's
1980's novel "Coin Locker Babies" is contributed by Atau Tanaka.
Baby Play is curated by Hisanori Gogota at NTT[ICC].
For further information contact:
Hisanori Gogota <gogota@ntticc.or.jp>
or Julia Friedman <Info@juliafriedman.com>
- --============_-1218838253==_ma============
------------------------------
Date: Sat, 23 Jun 2001 11:02:56 +0300
From: Cem Gencer <cemgencer@ultratv.net>
Subject: 'net-art is lame...'
online exhibition of 'net-art is lame...' @ www.cemgencer.org/exp/0001.htm
total size: 154246 bytes (approx. 40 secs on 33.6 kbaud)
(please turn up your volume first and use your mouse)
cem gencer
cgencer@mac.com
www.artologue.org (turkish forum on contemporary art issues & modern life)
------------------------------
Date: Sun, 24 Jun 2001 17:56:15 +0200
From: =?iso-8859-1?Q?Jos=E9?= Luis Brea <jlbrea@aleph-arts.org>
Subject: Inserts - Dora Garcia
aleph is pleased to announce the launch of INSERTS IN REAL TIME, by Dora García
"Inserts in Real Time" is a project unfolding as a series of "real"
interventions in "real" time by means of performances, carried out by
actors following the instructions of Dora García.
These performances will take place in different venues throughout the year
2001, within the context of different festivals and/or exhibitions
("Festival a/d Werf"- Utrecht, "Stromereien"- Zurich, "Marres"- Maastricht,
"La Gallera"- Valencia, "La Caixa" - Barcelona)
Each of the projects-performances has its own time development, from a few
minutes (The Locked Room) to several hours (The Notebook, Proxy) and even
to months (The Black Veil, The Circle, Coma), or, potentially, forever (All
The Stories). Because of this temporal extension, nobody (not even the
artists, sometimes not even the performers) can witness the performances in
their totality. Therefore a very important part of the "Inserts in Real
Time" project is the distribution of information about the project (which
is done through the net).
Each performance, or "insert", is completed by a "Diary", consisting of
notes, reflections, documentation, photographs, QT movies, and real diaries
written by the artist or the performers, and sent by means of e-mails to
the site every day that a performance takes place. This means that each
insert exist both as action and as narration.
All this information can be visited in the website "Inserts in Real Time"
http://aleph-arts.org/inserts/
Aleph has created as well a distribution/subscription list offering you the
possibility of receiving directly in your mailbox the messages constructing
the diaries.
http://aleph-arts.org/inserts/subscribe/
This means that you can easily follow the development of the performances,
being part of a parallel audience to the project, an audience slightly
"shifted" from the real time audience directly witnessing the performances.
"Inserts in Real Time" consists of 10 projects, three of them being
performed right now ("Proxy", "The Glass Wall", and "Crowd", this last
project made in collaboration with the American choreographer David Hernandez).
A fourth insert is being launched these days: All The Stories. In "All The
Stories", public and performer are one and the same person. This means that
every visitor of the site
http://aleph-arts.org/inserts/allthestories/
is a potential performer of the insert. If you subscribe to "Inserts…",
then you will be a potential performer… forever, if you wish. Check it out.
All inserts can be visited at:
http://aleph-arts.org/inserts/
More information about the project can be found at:
http://aleph-arts.org/inserts/intro.html
If you wish to subscribe, do it at
http://aleph-arts.org/inserts/subscribe/
------------------------------
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