| nettime's announcer on 22 Nov 2000 23:33:22 -0000 |
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| <nettime> 10 Announcements |
From: Aliza Dichter <liza@mediachannel.org>
Subject: MediaChannel Job Opening
From: cristine wang <cristinewang@yahoo.com>
Subject: "Dystopia + Identity in the Age of Global
Communications" Dec. 2, 6-9pm
From: m e t a <meta@meta.am>
Subject: http://meta.am/ - architectural dissolution
From: Artemisia Gallery <artemisi@enteract.com>
Subject: For Immediate Release: Artemisia Gallery December
From: Info <info@emaf.de>
Subject: EMAF 2001 Call for Entries
From: guide@life.a-domesticguide.com
Subject: life.a-domesticguide;$south america
From: john hutnyk <john.hutnyk@gold.ac.uk>
Subject: New: Critique of Exotica
From: mint77 <mint77@restlessculture.net>
Subject: Am I Hot Or Not? An Exercise In Becoming : Rate The Latent
Image
From: florian schneider <fls@kein.org>
Subject: metabolics#1
From: mint77 <mint77@restlessculture.net>
Subject: A New Text For Your Reading Pleasure
Date: Fri, 17 Nov 2000 19:02:37 -0500
From: Aliza Dichter <liza@mediachannel.org>
Subject: MediaChannel Job Opening
MediaChannel.org, the non-profit, public interest supersite focused on
international media issues seeks an EDITORIAL PRODUCER skilled in
exploring the role of media in society, politics and culture.
Work with a team and independently to produce, edit and manage online
content. Research and aggregate articles, reports, news and information
from a network of over 500 media-issues groups and publications
worldwide. Manage correspondence with and edit material from
contributing writers and affiliated groups.
Essential: interest in media as a social/political/cultural issue,
strong writing and internet research skills, experience writing and
producing for the Web, creativity, sense of humor, and ability to work
on a strict deadline. Women and people of color
are encouraged to apply.
This position is based in New York City.
Please send resumes to: editor@mediachannel.org or FAX 212-246-2677,
attn: Catherine.
www.mediachannel.org
Eye On Global Media
=================================================
*GET FREE WEEKLY UPDATES FROM MEDIACHANNEL.ORG*
To subscribe, send a blank message to:
TheMediaChannel-on@list.mediachannel.org
Or sign up on our home page http://www.mediachannel.org
MediaChannel: the non-profit, public interest network
of over 500 media-issues groups worldwide.
=================================================
#...........................
#...........................
Date: Sat, 18 Nov 2000 14:50:56 -0800 (PST)
From: cristine wang <cristinewang@yahoo.com>
Subject: "Dystopia + Identity in the Age of Global Communications" Dec. 2,
6-9pm
"Dystopia + Identity in the Age of Global
Communications"
Curated by Cristine Wang (Director, New Media
Initiatives, Alternative Museum)
Opening Reception: Saturday Dec. 2 (6-9pm)
Tribes Gallery 285 East Third Street, NY
Dec. 2, 2000-Jan. 13, 2001
+++++++++++++++++++++++++++++++++++++++++++++++++++++
"Machines will lead to a new order both of work and
of leisure"
--Le Corbusier, Vers une Architecture (1923)
Artists at the beginning of the 20th century sought to work in hybrid
forms, as a socially-oriented movement, a utopian vision which embodied
the idealism of a new order, believing itself capable of changing,
reforming, reordering--totally changing all aspects of human life. They
embraced the notion of the all-encompassing role of art: the profound
belief in the ability of art to affect change.
Almost one hundred years later, into the new millenium, we have seen the
effects of this utopian vision: the failure of modernism and its various
permutations on a global basis.
At the dawn of the new millenium, what are the new paradigms for living in
this Age of Global Communications? We see that in the work of Betty
Beaumont, for instance, in her "Ocean Landmark Project" (1978-1980),
located 40 miles beyond New York Harbor, that here is a prototype for
sustainable living. It is itself, both an underwater sculpture on a
massive scale: 500 tons of an industrial waste product made of processed
coal-waste, a potential pollutant that has undergone a planned
transformation into a flourishing ecosystem: a poetic vision 70 feet
below the surface, on the floor of the Atlantic Continental Shelf.
Contrasting with this positive paradigm for inhabitation or regeneration
in the world's oceans, Cristoph Draeger offers us his catastrophic vision
in his video "Oil" (1998). Utilising found footage of the world's oil
spill disasters, he comments upon the way in which we easily forget the
question of technological failure, deconstructing our concept of reality
as mediated by the news media, hollywood, and other sources of stimuli in
the global media-saturated village.
"At the end of the 20th century, catastrophe has not become a
paradigm of world experience, but rather, because of its ubiquity in the
media, the definitive image of "accelerating standstill" (--Paul Virilio).
The magnitude of a catastrophe is no longer measured by the number of its
victims, but rather by its medial valuation and resulting
telepresence--whose impressive images present us with horror as an
aesthetic experience."
--Dirk Blubaum, The Security of Risk
_______________________________________________________________________________
Cristine Wang 2000
Participating Artists in the Gallery + Online
Exhibitions include:
Mark Amerika, Daniel Garcia Andujar, Zhao Bandi, Betty Beaumont, Mike
Bidlo, Natalie Bookchin, Heath Bunting, Young-hae Chang, Shu Lea Cheang,
Mariah Corrigan + Jonathan Herder, Critical Art Ensemble, Andy Deck,
Ricardo Dominguez, Christoph Draeger, Laura Emrick, Fakeshop, Peter Fend,
Zhang Ga, Joy Garnett, Leam Gilliam, Rick Globus, Ken Goldberg, Marina
Grzinic, Douglas Hobbs, GH Hovagimyan, Fran Ilich, Eduardo Kac, Yael
Kanarek, Olga Kisseleva, Tina LaPorta, Patrick Lichty, Mark Lombardi,
Diane Ludin, Jenny Marketou, Hilary Maslon, Jennifer + Kevin McCoy, Emil
Memon, Zhu Ming, MTAA, Mark Napier, Carsten Nicolai, Eamon O'Kane, Roxy
Paine, Cary Peppermint, Wang Qingsong, Francesca da Rimini, Willoughby
Sharp, Jeremy Stenger, Zhou Tiehai, and Gu Wenda.
For more information:
email:
info@tribes.org
cristinewang@yahoo.com
tel:
(212) 674-3778
(917) 318-0081
website:
http://www.tribes.org/gallery
http://www.artnet.com/tribes.html
++++++++++++++++++++++++++++++++++++++++++++++++++++++
#...........................
#...........................
Date: Mon, 20 Nov 2000 04:18:18 -0700
To: microsound <microsound@hyperreal.org>
From: m e t a <meta@meta.am>
Subject: http://meta.am/ - architectural dissolution
new series -
http://meta.am/image/still/
3dmf.dna // architectural dis s o lu t i o n
info.structure
+ h2o =
//m
127.0.0.1
http://meta.am/
216.71.169.143
/
#...........................
#...........................
Date: Sun, 19 Nov 2000 15:33:40 -0600
From: Artemisia Gallery <artemisi@enteract.com>
Subject: For Immediate Release: Artemisia Gallery December
FOR IMMEDIATE RELEASE: December Exhibition
Show Dates: November 30th to December 30th
Opening Reception: Friday, December 1st, 5-8 PM
Special Events:
Saturday, December 2nd 8PM Minutia
Boston invented instrument improvisor Seth Cluett joins Carol Genetti,
Jerome Bryerton, Andrea Polli, and Jack Wright in an evening of
improvised music. Cluett's pieces exploit the minutia of sonic and
visual material, focusing on the interaction between the environment and
the audience/performer/artist. His work has been performed at the ICA
in Boston, Mobius Artist Space, Revolving Museum, IRCAM, Engine 27
Gallery, and the Electronic Arts Performance Series at Rensselaer
Polytechnic Institute. His sound work is a slow, live exploration of
the sonic qualities of various objects.
Sunday, December 3rd 4PM Not For Sale: Feminism and Art in the USA
During the 1970's
Laura Cottingham's landmark video essay that showcases images and rare
footage of early feminist events in the Women's Art Movement. The
images and file clips are unavailable anywhere else. Included are
Womanhouse and the Feminist Studio Workshop and the 1968 Miss America
pageant protest which publicly kicked off the feminist movement and was
the genesis of the erroneous "bra-burning" media reports. Sponsored by
the Chicago Women's Caucus for the Arts.
Exhibitions:
Main Gallery: Marji Vecchio
Vecchio's work is about the stress and pleasure that surrounds vague
familiarity. She explores through the photogram process in the
darkroom, the two dimensional record of the three dimensional object.
Her large scale color prints "ache with absence," says New City
photography critic Michael Weinstein. Vecchio has just completed her
MFA at Bard College and has exhibited, lectured, and curated shows
throughout the US and abroad.
Gallery A: Nora Delaney Memory Places
Delaney's evocative work in photography explores the photograph as a
record of a both specific and metaphoric memory. Over the past two
years, Delaney has gone back to the places she went as a child to
re-trace the memories of childhood. Her dream-like Iris prints from
polaroids combine the photographic process with the material and capture
a recollection rather than reality. Delaney is a member of the faculty
of the Evanston Art Center and will show work in an exhibition called
'The Spiritual Moment' in New York City in February.
Gallery B: Christian Ricco
Ricco's oil paintings on panel explore the themes of mortality and time
as evidenced in the sequences; and of light as a vehicle to expose the
nuances of form. Ricco speaks of mortality in life and immortality in
painting through the use of antiquated techniques. Ricco is a member of
the faculty at the University of Wisconsin, Milwaukee and the Milwaukee
Institute of Art and Design.
Gallery C: Kosmos Ballis
Ballis' abstract expressionist work in ceramics intentionally ties the
field of ceramic sculpture to painting through process. The ceramic
'bouquets' at first appear chaotic, but upon close examination reveal a
sophisticated system of balance. Ballis has exhibited throughout
Florida, Missouri, Georgia, California, and Texas.
Gallery D: Lynn Tomaszewski Maps and Schemata Based on the C. Elegans
Genome
Milwaukee artist and Associate Member Tomaszewski works toward the
"pssession of a sophisticated concept of self." Through a variety of
investigations that in process seem more scientific than artistic, she
arrives at installations both beautiful and conceptual. This exhibition
features recent work based on the question of identity and the human
genome project.
*Gallery web site address http://www.enteract.com/~artemisi
For additional information and press packets, call the gallery at (312)
226-7323
#...........................
#...........................
Date: Tue, 21 Nov 2000 18:19:43 +0100
From: Info <info@emaf.de>
Subject: EMAF 2001 Call for Entries
[ The following text is in the "ISO-8859-1" character set. ]
[ Your display is set for the "US-ASCII" character set. ]
[ Some characters may be displayed incorrectly. ]
European Media Art Festival
Osnabrueck
25.-29. April 2001
www.emaf.de
-Inside/Outside-
(First part: german text- second part: english text)
//Vom 25. bis 29. April 2001 präsentiert das European Media Art Festival
in Osnabrück wieder einen vielfältigen Querschnitt durch die aktuelle
Medienkunst. Produktionen international renommierter Künstler werden
ebenso vertreten sein wie innovative Arbeiten aus den Kreativ-Laboren
junger Talente.
//Das European Media Art Festival bietet ein internationales Forum für
Film, Video, Performance, multimediale Installationen und digitale
Medien wie CD-ROM, DVD und Internet. Im Rahmen des Festivals wird
alljährlich der Preis der Deutschen Filmkritik für die beste
experimentelle Film- oder Videoproduktion und der OLB ^ÖMedienkunstpreis
für richtungsweisende Medien-Installationen vergeben.
cinema
Den cineastischen Rahmen des European Media Art Festivals bildet das
internationale Film- und Videoprogramm, eine Autorenretrospektive und
themenbezogene Programme. In Gesprächen und Diskussionen mit den
Regisseuren und Autoren erfährt das Publikum Hintergründe und
Zusammenhänge.
ausstellung
Zentraler Ort für die internationale Ausstellung mit aktuellen Film-,
Video- und Computer-Installationen und für die Electronic-Lounge ist die
Kunsthalle Dominikanerkirche. Ihre gotische Architektur bietet den
idealen Kontrast für die Präsentation von Medien-Skulpturen,
Projektionen und interaktiven Systemen.
international student forum
Zusammen mit der Fachhochschule Potsdam und der Kunsthochschule Kassel
präsentiert das Student Forum aktuelle Produktionen aus aller Welt.
Europäische Hochschulen sind eingeladen, in Specials und Roundtables
neue Standpunkte vorzustellen und zu diskutieren. Spannung verspricht
die Verwandlung des alten Wehrturms "Bürgergehorsam" vom Kunstort zum
Kunstwerk.
congress
Begleitend zum Festival stellt ein hochkarätig besetzter Kongress die
entscheidenden Fragen zum kulturellen Selbstverständnis unserer
mediatisierten Gesellschaft und verschafft Einblicke in neueste
Medienentwicklungen und Projekte.
web-cast
Den Themenschwerpunkt des diesjährigen Kongresses bildet Streaming -
Media, mit dem sich neue Chancen für Filmemacher, Künstler und
Produzenten eröffnen. Wir gehen der Frage nach, welche neuen Plattformen
und innovativen Formate für Dramaturgie und Narration mit Streaming -
Media im Internet entstehen und wie sich Kooperationen zwischen Kultur
und Industrie gestalten könnten.
In diesem Zusammenhang stellen wir auch herausragende Video- und
Audioangebote vor, präsentieren in Workshops die wichtigste Hard- und
Software und diskutieren mit Theoretikern, Medien-Aktivisten, Start-Ups
und Vertretern der Industrie Fragen des Content und der Entwicklung zum
Multi-Channel-TV.
edmn
Das European Digital Media Network wird hier das Pilotprojekt eines
europäischen Medienkanals vorstellen, das als Initiative europäischer
Institutionen neue Formen der Präsentation und Distribution im Bereich
Web-TV realisieren wird.
media-design
In Kooperation mit der führenden Zeitschrift für elektronische
Lebensaspekte, De:Bug, stellen wir im Rahmen der Veranstaltung auch neue
Design-Konzepte junger Agenturen und Künstler vor.
fusion
Mit dem spektakulären VeeJay-Groove präsentierte das European Media Art
Festival im vergangenen Jahr die Club-Szene als multimediales
Environment für Klang- und Videokunst. Auch in diesem Jahr werden auf
diversen Party-Events an ungewöhnlichen Orten angesagte DJ^Òs und VJ^Òs
das Publikum zum Raven & Grooven bringen.
Wir laden Sie herzlich ein, sich mit Ihren Arbeiten und Projekten am
EMAF 2001 zu beteiligen!
Anmeldeformulare unter: www.emaf.de
European Media Art Festival
Lohstrasse 45a
D-49074 Osnabrueck
Germany
Tel: +49 (0) 541/ 21658/25779
Fax: +49 (0) 541/ 28327
E-mail: info@emaf.de
http://www.emaf.de
---------------------------------------------------------------------
Konzeption und Festivalleitung
Alfred Rotert, Hermann Noering, Ralf Sausmikat
---------------------------------------------------------------------
Foerderer des EMAF
Ministerium für Wissenschaft und Kultur, Hannover
Stadt Osnabrueck
Auswärtiges Amt, Berlin
Bundesministerium für Bildung und Wissenschaft, Bonn
Kunstfonds e.V. Bonn
Oldenburgische Landesbank, Oldenburg
EU Commission, Brussels
British Council
und
Zuschüsse weitere Förderer
English Verion---------------------------------------------------------
European Media Art Festival
Osnabrueck
25.-29. April 2001
www.emaf.de
-Inside/Outside-
// From 25 to 29 April 2001 the European Media Art Festival presents
once again a diverse cross section of media art in Osnabück. Productions
from internationally renowned artists as well as innovative works from
creative young talents will be shown.
// The European Media Art Festival is an international forum for film,
video, performance, multimedia installations and for digital media such
as CD-ROM, DVD and the Internet. As part of the festival two prizes are
awarded annually. There is the German Film Criticism Prize for the best
German experimental film or video production and the OLB Media Art Prize
for exemplary media installations.
cinema
The European Media Art Festival^Òs cinematic part offers an
international film and video program, a filmmaker^Òs retrospective and
subject orientated programs. Talks and discussions with directors and
authors enable the audience to discover the films^Ò background and
context.
exhibition
The Kunsthalle Dominikanerkirche is centre stage for the Electronic
Lounge and the thrilling exhibition of international film, video and
computer installations. The museum^Òs gothic architecture is the perfect
contra point for the media sculptures, projections and interactive
systems.
international student forum
Together with the University of Applied Science, Potsdam and the
School of Fine Arts, Kassel the Student Forum presents the latest
productions world-wide. In special events and round table discussions
European universities are invited to introduce and discuss current
trends. There will be an exciting transformation of the old fortified
tower ^ÑBürgergehorsam^Ò from art space to art piece.
congress
The festival is accompanied by a congress of renowned experts who
answer vital questions on cultural understanding in our media orientated
society. The congress gives insight into current media trends and
projects.
web-cast
This year^Òs main topic is Streaming-Media, which opens up new
possibilities for filmmakers, artists and producers. Important questions
will be: What kind of new platforms and innovative formats for
production and narration are currently created on the Internet with
Streaming-Media? What kind of links could be developed between culture
and industry? In this context, the best video and audio offers will be
highlighted. Workshops will introduce the most important hard and
software. Questions on content and the development to multi-channel TV
will be discussed with theoreticians, media activists, start-up programs
and representatives of the industry.
edmn
The European Digital Media Network will present the pilot project of
an European media-channel, an initiative of several European
institutions which will introduce new forms of presentation and
distribution in the area of web TV.
media design
In co-operation with the leading magazine for electronic life aspects,
De:Bug, we will also introduce new design concepts from young agencies
and artists.
fusion
Last year the European Media Art Festival presented the spectacular
VeeJay-Groove, which highlighted the club scene as a multimedia
environment for sound and video art. This year there will be several
party events in special locations where popular DJs and VJs will make
the audience rave & groove.
We would like to invite you to take part in the EMAF 2001 with your
artworks and projects!
//For application-forms visit: www.emaf.de
European Media Art Festival
Lohstrasse 45a
D-49074 Osnabrueck
Germany
Tel: +49(0)541/ 21658/25779
Fax: +49(0)541/ 28327
E-mail: info@emaf.de
http://www.emaf.de
-----------------------------------------------------------------
Concept and festival board:
Alfred Rotert, Hermann Noering, Ralf Sausmikat
-----------------------------------------------------------------
The EMAF is supported by:
Ministerium für Wissenschaft und Kultur, Hannover
Stadt Osnabrueck
Auswärtiges Amt, Berlin
Bundesministerium für Bildung und Wissenschaft, Bonn
Kunstfonds e.V., Bonn
Oldenburgische Landesbank, Oldenburg
EU Commission, Brussels
British Council
and
contributions made by other supporters
End of message-------------------------------------------------------
#...........................
#...........................
From: guide@life.a-domesticguide.com
Date: Sun, 19 Nov 2000 16:49:43 -0500
To: nettime-l <nettime-l@bbs.thing.net>
Subject: life.a-domesticguide;$south america
#######
life.a-domesticguide or, a concatenated practice of living
==
http://life.a-domesticguide.com
#######
what goodness hath wrought
what badness hath wrought
what attitude hath wrought
what lattitude hath wrought
what nature hath wrought
what day hath wrought
what domestication hath wrought
& that which is to the pleasure of eyes
& that which is to the pleasure of ears
& that which is to the pleasure of cerebrum
$
south america
$
#...........................
#...........................
Date: Mon, 20 Nov 2000 17:25:30 +0000
From: john hutnyk <john.hutnyk@gold.ac.uk>
Subject: New: Critique of Exotica
++++++++++++++++++++++++++++++++++++++++++
FOR IMMEDIATE RELEASE
Contact: Melanie Patrick, Marketing Executive
CRITIQUE OF EXOTICA
Music, Politics and the Culture Industry
by John Hutnyk
In this innovative book, John Hutnyk questions the meaning of cultural
hybridity. Using the growing popularity of Asian culture in the West as a
case study, he looks at just who benefits from this intermingling of
culture.
What does it mean when Madonna dons a bindi or Kula Shaker incorporate the
sitar in their music? When Cherie Blair wears a sari to a public dinner?
When the national dish in the UK is chicken tikka masala? Is this a
celebration of multiculturalism, is it cultural appropriation, or
something else?
Focusing on music, race and politics, Hutnyk offers a cogently theorised
critique of the culture industry. He looks at artists such as Asian Dub
Foundation, Fun^Da^Mental, Apache Indian, Bally Sagoo and Nitin Sawhney to
see how their music is both produced and received. He analyses 'world'
music festivals, racist policing, political struggles against the Criminal
Justice Bill and the power of corporate pop stars to market exotica across
the globe. Hutnyk provides a searing critique of a world that sells
'exotica' as race relations and 'visibility' as redress.
"Hutnyk's interrogation of the idea of hybrid is one of the first to be
done from a Marxist and progressive perspective. For this itself, the book
is of much value. A gem" - Vijay Prashad, Associate Professor and
Director, International Studies, Trinity College, Hartford, CT; author of
The Karma of Brown Folks
"Hutnyk's book is bold and comes at a very good time ... This could be a
very important book indeed." - George Marcus, Professor and Department
Chair in Anthropology, Rice University
John Hutnyk is Senior Lecturer in Anthropology at Goldsmiths College,
University of London. He is the author of The Rumour of Calcutta:
Tourism, Charity and the Poverty of Representation (1996) and co-editor
of Travel Worlds (1999) and Dis-Orienting Rhythms (1996).
Published November 2000. Pages: 256
ISBN: 0 7453 1549 6 Price: £14.99 (paperback)
To order a review copy please contact Melanie Patrick at Pluto Press on
020 8348 2724 or email: melanie@plutobks.demon.co.uk
#...........................
#...........................
Date: Mon, 20 Nov 2000 20:37:14 -0500
Subject: Am I Hot Or Not? An Exercise In Becoming : Rate The Latent Image
From: mint77 <mint77@restlessculture.net>
To: <nettime-l@bbs.thing.net>
Am I Hot Or Not? An Exercise In Becoming : Rate The Latent Image
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#...........................
#...........................
Date: Tue, 21 Nov 2000 11:21:22 +0100
From: florian schneider <fls@kein.org>
Subject: metabolics#1
>> METABOLICS / STOFFWECHSEL#1
FRI 24 NOV 2000 20:00 +0100 (MET)
Live Stream
<http://195.88.128.119:8080/ramgen/muffat/fc/fc7/fc7.smi>
and Real Live event in Munich/Germany
Guests: Heath Bunting, Olia Lialina, Manse Jacobi, Ivan Grubanov
Feat.: DJ Chris de Luca (Funkstoerung)
RE: FUTURE COMMUNITIES
"Communities" is one of the buzzwords of the digital era. It follows
the idea that people no longer meet merely inside the boundaries of
territories and nationalities, but steered by their preferences in
selforganised communities - independent of spatial limitations. But
what is defining such communities? In what way does the common sense
of the online-world differ from the offline-logic of inclusion and
exclusion? How open are future communities?
METABOLICS / STOFFWECHSEL #1 presents a diverse range of artistic,
political and cultural projects in which the common sense of future
communities is either already dawning or is broken before time.
- Olia Lialina (Moscow/Munich) <http://will.teleportacia.org> and
Heath Bunting (London) <http://www.irational.org/heath>: Both pioneers
of "net.art" will talk about common projects as the "Identity swap
database" <http://www.teleportacia.org/swap>
- Manse Jacobi (USA): Manse Jacobi has been the technology coordinator
and editor of Free Speech Internet Television
<http://www.freespeech.org>, a non-commercial website which hosts
thousands of progressive and activist audio and video. He co-founded
the Independent Media Center <http://www.indymedia.org> to cover the
Seattle protests during the World Trade Organization meeting last
November and is currently working on setting up a center in Beirut,
Lebanon.
- Ivan Grubanov (Pancevo/Belgrad) is part of the team which runs the
online cultural centre "Cyberrex" <http://www.cyberrex.org>. Cyberrex
refers to Cinema REX, probably the most important address for urban
culture, contemporary arts, political and cultural initiatives in
Belgrad until it was shut down by the authorities in april 99. Now
Cyberrex is re-opening again.
METABOLICS / STOFFWECHSEL is going to present innovative projects and
debates in net.art, .culture and .politics on a monthly basis,
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Date: Tue, 21 Nov 2000 22:20:36 -0500
Subject: A New Text For Your Reading Pleasure
From: mint77 <mint77@restlessculture.net>
To: <nettime-l@bbs.thing.net>
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